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Soul of a Nation: Art in the Age of Black Power
“Soul of a Nation: Artists in Conversation”
SATURDAY, FEBRUARY 3, 10 AM TO 5:00 PM
Celebrate the opening of Soul of a Nation: Art in the Age of Black Power. This symposium features exhibition artists and curators who will join us for an insightful round of conversation reflecting on art, politics, music, and community in the age of Black Power. The program kicks off with an opening discussion by the Tate’s curators, Mark Godfrey and Zoe Whitley, and continues with an inspiring line-up of artist conversations. THIS EVENT IS A VIEWING COLLABORATION BETWEEN THE CRYSTAL BRIDGES MUSEUM OF AMERICAN ART AND ART | LIBRARY DECO.
Details About Exhibition
FEBRUARY 3 – APRIL 23, 2018 | Soul of a Nation: Art in the Age of Black Power shines a bright light on the vital contribution of Black artists to an important period in American history and art. Featuring the work of 60 artists and including vibrant paintings, powerful sculptures, street photography, murals, and more, this landmark exhibition is a rare opportunity to see era-defining artworks that changed the face of art in America.
Developed by the Tate Modern in London and debuting in the US at Crystal Bridges, Soul of a Nation: Art in the Age of Black Power examines the influences, including the civil rights movement, Minimalism, and abstraction, on artists such as Romare Bearden, Noah Purifoy, Martin Puryear, Faith Ringgold, Betye Saar, Alma Thomas, Charles White, and William T. Williams.
Some artists, galvanized by the spirit of the civil rights movement, created images that spoke of solidarity, strength, and resistance, while others focused primarily on color, form, and concept. Some works paid homage to legendary African American figures from the period, including political leaders Martin Luther King, Malcolm X, and Angela Davis, musician John Coltrane, and sports hero Jack Johnson. The variety of artworks reflects the many viewpoints of artists and collectives at work during these explosive times.
Crystal Bridges is one of only two American venues to host this important exhibition, described as both powerful, and at times, challenging. Following its debut in Bentonville, the exhibition travels to the Brooklyn Museum in New York.
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