ART BYE | REWIND – REVISIT – 2022

Dear ART | library deco supporters:

Thank you for always taking the time to read and interact with the only African American virtual art library, gallery, and repository that delves into the Black experience in art, literature, and culture. This year once again had its highs and lows in all things centered around African American culture! To end this year, we have curated a listing of content for you to review at your leisure during the holiday season. For now, sit back, rewind in time and catch up on content, news, and information missed throughout the year. Our library curatorial team is looking forward to bringing you relevant content in 2023 that matters and will expand your horizons in African American art.

ART | library deco will go on break from December 1 – January 15, 2023.



  • From aperture: Opening reception: Wednesday, January 27, 7:00–8:30 p.m. Aperture Gallery hours: Monday–Saturday: 10:00 a.m.–6:00 p.m. Thursday: 10:00 a.m.–8:00 p.m. Closed Sunday The accompanying Aperture publication, Muse: Mickalene Thomas Photographs, is the first to gather together her various approaches to photography, including portraits, collages, Polaroids, and other processes. The idea of communities of inspiration will

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  • From PBS.org/Independent Lens: INDEPENDENT LENS | The Black Panthers: Vanguard of The Revolution (Theatrical) View Film Here: http://www.pbs.org/video/2365528595/ 2:31 | Aired: 07/20/15 | Rating: NR New film by acclaimed documentarian Stanley Nelson about the rise and fall of the Black Panther Party.

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  • From The New York Times:  By RANDY KENNEDY, NOV. 28, 2015 The painter Norman Lewis rarely complained in public about the singular struggles of being a black artist in America. But in 1979, dying of cancer, he made a prediction to his family. “He said to us, ‘I think it’s going to take about 30

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  • From CHAPEL HILL: From February 11 – May 13, 2016 the Stone Center’s Robert and Sallie Brown Gallery and Museum will host noted artist Stefanie Jackson for an exhibition entitled La Sombra y el Espiritu IV: Figurative Visions and Collective Histories – The Work of Stefanie Jackson. Jackson, a professor at the Lamar Dodd School

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  • From the National Gallery of Art: The Gallery’s collection of American art includes nearly 400 works by African-American artists. This online tour offers commentary on a selection of twenty-two paintings, works on paper, and sculpture ranging from a colonial portrait by Joshua Johnson of Baltimore to modern and contemporary pieces by Jacob Lawrence, Romare Bearden,

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  • Exhibition: 100 Strangers Date: February 11, 2016 | Time: 6PM – 9PM Location: The Community Artists’ Collective,  4101 San Jacinto at Cleburne, Suite 116, Houston, Texas 77004 100 Strangers, at its original inception, was meant to capture 100 portraits of random people on the street. The path started out as a cut and dry concept. An

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  • From Culture Type: FEATURING “ILLUSTRATED BOOKS, art-themed fiction, artist biography, nonfiction about the art world, original photography and original artwork,” the New York Times published its first-ever art-themed Sunday Book Review section today (June 28, 2015). The print version arrived in this morning’s paper, but the reviews began appearing online Wednesday and a specially designed

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  • Art and Social Activism, A Panel Discussion Hosted by the Houston Museum of African American Culture (HMAAC) With the HMAAC panel discussion on Art and Social Activism, moderated by HMAAC CEO John Guess, Jr. and featuring noted artist and activist Danny Simmons and Syracuse University Professor and Community Folk Art Center Executive Director Kheli Willetts,

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  • The Underground Project (2015) is a documentary film that showcases emerging musicians amidst their pursuit to success while addressing the social practices that shape the culture. It also challenges hyper-masculine standards prevalent within the mainstream hip hop music industry. I’ve watched black men in the hip hop industry be condemned for their intelligence. People tend

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  • From Kameela Janan Rasheed: No Instructions for Assembly, Activation VII 2015 Dimensions Variable (Installed within a traditional gallery space). 15 found photographs, xerox photocopied texts, self-authored texts, inkjet prints, woodblock prints, monoprints, newspaper clippings, vintage magazines, vintage books, fabric [felt, faux leather, vinyl, mesh, linen], embroidery thread, stockings, glass, human hair, paper [vellum paper, Japanese

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